Tag: FrameBurst Academy

Why Some Animated Moments Feel Emotionally Heavy
FRAMEBURST ACADEMY 19

Summary (TL;DR)

Sometimes a character simply looks at the floor…

and somehow it hurts more than a giant action scene.

Why?

Because emotional animation involves more than only movement.

It is about:

Focus
- Timing
- Pauses
- Silence
- Build-up
- Release
In this blog, we’re breaking down how animators create moments feel important… even with simple illustrations.

Why Some Animated Moments Feel Heavy… While Others Feel Empty?

The Secret Behind Emotional Weight in Story-Time Animation:

Animation is not about moving constantly.

This is one of the biggest rookie misunderstandings.

People believe:

-> “More movement = better animation.”

That is not always the case.

Sometimes the most impactful moment…

Is when almost nothing moves.

Real-Life Example:
Picture your mum tells you shocking news.

Do you immediately start jumping theatrically?

Usually not.
1. You pause.
2. Your facial expression changes gradually.
3. You try to process it.
That brief silence feels heavy.

Animation works the same way.

Emotional Weight Comes From Meaning:
A movement feels important when the audience perceive:
- focus
- tension
- anticipation
- emotional connection
Not just movement itself.

Even a simple head turn can feel powerful…

If constructed correctly.

1. Anticipation: Preparing the Audience Emotionally:
Anticipation means:

Something small happens before the main action.

It prepares the viewer for the action that is about to happen.

Real-Life Example:

Before throwing a ball:

your arm retracts first

That tiny preparation makes the throw feel stronger.

Emotional Example:

Before a someone cries:

they look away

halt

inhale slowly

That build-up momentum.

Without anticipation…

Moments feel dull and sudden.

2. Holds: The Power of Staying Still:

A hold means:

Keeping a pose steady for a short moment.

Rookies often fear stillness.

But stillness is really strong.

Example:

A character hears bad news.

Rather than moving immediately…

He/she freeze.

That pause gives the audience time to feel the moment.

Real-Life Comparison:

Imagine if you were to spill tea on your laptop.

There is usually:

1. Realisation

2. Silence

3. “…Oh no.”

That tiny delay brings emotional weight.

3. Pacing: The Speed of Emotion:
Pacing refers to:

How quickly or slowly events occur.

Fast pacing generates:
- panic
- chaos
- excitement
Slow pacing creates:
- tension
- sadness
- seriousness
Everyday Example:

A human being leisurely waving:

Slow and calm.

But someone running late for college:

Fast and hurried.

Different pacing = Varying feeling.

4. Contrast: Why Calm Makes Big Moments Bigger:

Contrast means:

Opposites make each other stronger.

If everything is noisy…

Nothing feels loud.

If everything progress fast…

Nothing feels special.

Example:
Imagine:
1. Quiet room
2. Little movement
3. Soft expression
Then suddenly:

A strong emotional reaction.

That contrast makes the moment hit harder.
Horror films with jump scares do the same.

Music Comparison:

A song becomes powerful when:

It gets quiet first

THEN becomes loud

Animation uses the same idea.

5. Visual Focus: Guiding the Viewer’s Eyes:

The audience should be aware:

“What am I supposed to look at and feel right now?”

Too much movement everywhere becomes distracting.

Example:

A character slowly lowering their head.

If the whole display is shaking wildly…

The emotion gets absent.

Skilled animators simplify the movement.

They guide your attention attentively.

Facial Acting: Tiny Changes Matter:

Beginners often believe emotions require huge reactions.

Not true.

Small changes are often stronger.

Real-Life Example:
Someone trying to hold back tears might:
Blink slower

Avoid eye contact

Press lips together
Small details feel genuine.

Breathing & Settling:
One reason beginner animation feels “unreal” is this:

Characters stop moving too suddenly.

Real life does not work that way.

Example:

After the execution:

your body settles slowly

breathing changes

shoulders drop

Motion inherently slows down.

This “settling” helps moments feel believable.

Why Realistic Movement Alone Is NOT Enough?
Here’s a crucial part:

Perfect movement does NOT inherently create emotion.

You can animate lifelike walking perfectly…

And still feel empty.

Why?

Because emotion originates from:
- focus
- timing
- intention
- storytelling
Not merely realism.

Story-Time Animation Uses Simplicity Smartly:
Story-time animation usually features:
- Fewer details
- Simple sketches
- Limited movement
So emotional weight becomes EVEN more significant.

Example:
A simple stickman slowly saying:

-> “I really don’t know what to do…”

Can feel powerful…

If the timing, pacing and pause are correct.

Silence Is Also Animation:

This surprises many newcomers off-guard.

Silence can enhance a moment’s impact.

Example:

A character expresses:

-> “…I miss them.”

Then quietness.

No music. No big action.

That still moment lets emotion sink in.

Emotional Animation Is About Control:
Well-crafted emotional scenes are managed carefully.

Not overloaded.

Beginners often try to:
- Rush reactions
- Move too much
- Exaggerate everything
But emotional weight often arises from restraint.

Everyday Life Is Full of Emotional Animation:
Watch people closely.

You will understand:

Forced smiles

Awkward pauses

Delayed reactions

Nervous hand movements

Hesitation before speaking

These things make people connect with their humanity.

Animation copies these emotional patterns.

Think of Emotion Like Charging an Attack:

In the game: Shadow of the Colossus…

A strong attack often has:
1. Build-up
2. Pause
3. Impact
4. Recovery
Emotional scenes work similarly.

Example:
Character hears startling news:
1. Silence
2. Reaction
3. Slow realization
4. Emotional settling
That sequence creates emotional weight.
Why Beginners Miss This:

Because newbies concentrate only on:

“How do I move the character?”

Trained, professional animators question:

“How do I make the audience feel something?”

That’s the distinction.

Simple Practice You Can Try Today:
Observe people.

Not as an artist.

As an ordinary observer.

Notice:
- Doubt
- Pauses
- Reactions
- Breathing
- Eye movement
Real emotion tends to be understated.

Not dramatic.

The Final Thoughts:
The instances people recall the most…

Are usually not the loudest moments.

They are the events that felt real.
- A pause.
- A glance.
- A slow reaction.
- A silence after words.
That is emotional burden.

And what is truly lovely?

You do NOT need complex animation to make it.

You just need:
- Timing
- Intention
- Tolerance
- Observation
That is where animation starts becoming storytelling.

What’s Your Next Step (Coming Thursday):
You now comprehend:
- timing
- Spacing
- movement
- emotional pacing
But there is another hidden layer beginners often overlook:

The small blinks can make characters feel alive?

That is where we enter one of the most important concepts in animation.

See you until the next relive
May 7, 2026

What Are Frames, FPS & Keyframes in Animation

FRAMEBURST ACADEMY 18

Summary (TL;DR)

You finally made movement happen.

Now comes the major question:

“How many drawings do I actually need?”

Do you really require to draw 60 drawings every second?

What exactly is a frame?

Why do some animations feel smooth while others feel jerky?

And what is the difference between:

Frames

Keyframes

Blank Keyframes

Frame Rate = FPS {Frames Per Second}

This is where animation starts feeling less enigmatic… and much more understandable.

What are Frames, Keyframes, Blank Keyframes & Frame Rate (FPS)?

How Many Drawings Do You Really Need to Animate 3 Seconds, 1 Minute or 1 Hour?

Before we proceed, remember this simple idea:

Poses are the storytelling moments
Extremes define the movement limits
Breakdowns explain how movement happens
Inbetweens smooth everything out

Now we are delving further.

Because all of those aspects live inside something called…

Frames.

What is a Frame?

Let’s make this super easy.

A frame is only:

One drawing in animation.

That is it.

Animation consist of many pictures shown rapidly one after another.

Think about a flipbook.

Every page has one drawing.

Each page = one frame.

When you flip the pages quickly…

The drawings look alive.

Real-Life Example:

Imagine taking photos of your friend jumping.

Drawing 1 -> Standing
Drawing 2 -> Knees bent
Drawing 3 -> Mid-air
Drawing 4 -> Landing

Each drawing is a frame.

When played quickly in unison…

It becomes a motion.

What is Frame Rate (FPS)?

FPS stands for:

Frames Per Second

This indicates to us:

“How many drawings are displayed every second.”

Simple Example:

Picture a cartoon playing:

12 FPS = 12 drawings in one second
24 FPS = 24 drawings in one second
30 FPS = 30 drawings in one second
60 FPS = 60 drawings in one second

More frames usually means smoother motion.

Although…

More frames also means more work.

Real-Life Comparison:

Think of riding a skateboard downhill.

Few Frames:

Movement feels jumpy.

Like hopping down stairs.

Medium Frames:

Motion feels smoother.

Like riding on a normal road.

Many Frames:

Movement feels very smooth.

Like skating on an icy stadium.

Common FPS Used in Animation:

Let’s simplify the most common ones.

12 FPS:

Very common for beginners and many Anime.

Simpler to animate
Fewer drawings needed
Still looks nice

This is a point where many starting animators begin.

24 FPS:

Very common in movies and animation.

Looks smoother and more realistic.

But remember:

24 FPS does NOT necessarily mean 24 new drawings every second.

This is very important.

We will come back to this in a while.

25 FPS:

Common in some TV systems.

Feels very similar to 24 FPS.

30 FPS:

Prevalent in videos, games, and online content.

Very smooth for everyday movement.

60 FPS:

Incredibly sleek.

Often used in games or high-dynamic motion.

But for animation?

It can become a lot of work.

Do You Really Need New Drawings for Every Frame?

Short answer?

No.

This is one of the biggest beginner misconceptions.

You do NOT always need:

24 drawings every second
30 drawings every second
60 drawings every second

Animators typically reuse drawings all the time.

Animating on 1s, 2s & 3s:

This sounds horrifying at first.

Yet it is actually simple.

Animating on 1s:

A new drawing shows up on every frame.

At 24 FPS:

24 new drawings per second

Totally smooth.

Used for:

Fast action
Fight scenes
Wild movement

But also…

It consumes so much of your precious time.

Animating on 2s:

Each drawing holds for 2 frames.

At 24 FPS:

Only 12 drawings per second

This is EXTREMELY common.

Why?

Because it conserves time while still looking smooth.

Many cartoons and Anime use this constantly.

Animating on 3s:

Each drawing stays for 3 frames.

At 24 FPS:

Only 8 drawings per second

Movement gets choppier.

However, sometimes that style is effective.

Especially for:

Humor
Slow scenes
Limited movement

Simple Pizza Analogy:

Assume sharing pizza slices.

On 1s:es

Everyone gets tiny fast bites.

Very smooth.

On 2s:

Bigger bites.

Still enjoyable.

On 3s:

Even fewer bites.

Movement feels more “staggered.”

How Many Drawings Do You Need?

Let’s calculate this simply.

5 Seconds of Animation

At 24 FPS on 1s:

24 drawings × 5 seconds

120 drawings

At 24 FPS on 2s:

12 drawings × 5 seconds

60 drawings

At 24 FPS on 3s:

8 drawings × 5 seconds

40 drawings

1 Minute of Animation

1 minute = 60 seconds

At 24FPS on 1s:

24 drawings × 60 seconds

1,440 drawings

At 24FPS on 2s:

12 drawings × 60 seconds

720 drawings

At 24FPS on 3s:

8 drawings × 60 seconds

480 drawings

1 Hour of Animation:

1 hour = 60 minutes

60 minutes = 3,600 seconds

At 24FPS on 1s:

24 drawings × 3,600 seconds

86,400 drawings

Yes.

That is why animation takes time.

At 24FPS on 2s:

12 drawings × 3,600 seconds

43,200 drawings

Still huge.

At 24FPS on 3s

8 drawings × 3,600 seconds

28,800 drawings

Important Beginner Truth:

This is why animators:

Simplify scenes
Reuse movement
Hold frames longer
Use smart planning
Make reusable assets

Animation is not about drawing endlessly.

It is about drawing smartly.

What is a Keyframe?

A keyframe is:

The most important frame in a motion.

Remember extreme poses from the last blog?

Keyframes are often those important moments.

E.g: Bouncing Ball

Ball at top → Keyframe
Ball hitting ground → Keyframe
Ball back at top → Keyframe

These define the action.

Everything else links them together.

Simple Analogy

Consider keyframes like story checkpoints in a video game.

They are the important moments.

Without their presence…

The story falls apart.

What is a Blank Keyframe?

A blank keyframe is basically:

An empty frame.

No drawing yet.

Just space waiting for something.

E.g:

Imagine a theatrical play.

The curtain rises…

But no performer is on stage yet.

That empty moment?

That is basically a blank keyframe.

The 2 Major Animation Methods:

Now we reach something VERY important.

There are 2 main ways animators make cartoons:

Pose to Pose Animation:

This is the technique most animators usually employ.

Especially in professional workstation.

How It Works?

First:

You draw the essential poses.

Then:

You add breakdowns.

Then:

You add inbetweens.

E.g: Jumping

You first draw:

Standing pose
Jump pose
Landing pose

THEN you connect them.

Why Pose to Pose is Useful?

It gives:

Better control
Better planning
More consistency
Cleaner storytelling

You are already aware where the motion starts and ends.

So less guessing.

Real-Life Analogy:

Think about cooking.

Pose to Pose is like:

Planning ingredients first
Preparing steps
Then cooking calmly

Everything feels organized.

Straight Ahead Animation:

This is not the same.

Here…

You just keep drawing non-stop.

Scene after scene after scene.

No extensive planning first.

Why Beginners Often Call It “Frame–by-Frame”?

Children and students naturally animate this way.

They simply:

Draw one frame
Then the next
And another

So many newbies call this:

“Frame by frame animation”

For something that little children came up with, honestly makes sense.

Why Straight Ahead Feels Fun?

It seems:

More alive
More energetic
More spontaneous

Because you discover movement while animating.

E.g:

Imagine drawing someone running in a marathon.

Instead of planning every position…

You just keep moving ahead instinctively.

The movement can feel untamed and organic.

If Pose to Pose is Better… Why Does Straight Ahead Still Exist?

Great question.

Because Straight Ahead is ASTOUNDING for specific animations.

Things That Move Wildly:

Like:

Fire
Ears
Hair
Tails
Cloth
Water
Smoke
Explosion
appendage

These things move unpredictably.

Too much planning can make them appear stiff.

Expressions & Acting:

Tiny facial expressions often improve with Straight Ahead.

Because emotions are complex in real life.

People do not react perfectly.

Effects Animation:

Explosions. Magic. Energy.

Straight Ahead helps these feel relaxed and natural.

Organic Movement:

Anything living or flowing like chubby body part often benefits from Straight Ahead.

When Animators Use Each Method:

Situation	Better Method
Dialogue scenes	Pose to Pose
Clean acting	Pose to Pose
Action planning	Pose to Pose
Wild effects	Straight Ahead
Hair/cloth/tails	Straight Ahead
Chaotic energy	Straight Ahead

Fast Action Scenes:

Fight scenes sometimes mix BOTH methods.

Main body movement = Pose to Pose
Appendage, tail, hair and cloth = Straight Ahead

This gives structure + energy together.

What Should Beginners Practice First?

Begin with:

Pose to Pose:

Why?

Because it teaches:

Clarity
Planning
Structure

You learn movement properly.

Then Slowly Explore Straight Ahead:

Once comfortable…

Experiment with freer movement.

This builds confidence and creativity.

What Professionals Actually Do?

Here’s the funky fact.

Most professionals merge BOTH techniques.

They plan the necessary movement…

Then loosen up certain parts.

That’s how animation feels both:

Controlled

AND

Alive

Everyday Example:

Think of a banana being slipping on a its own peel.

Pose to Pose Part:

You plan:

Standing
Slipping
Falling

Straight Ahead Part:

Then maybe:

Arms flail wildly
Hair bounces
Clothes react naturally

Both methods collaborate together.

Final Thoughts:

Animation feels complicated at first…

Until you note:

It is just:

Pictures
Shown over time
Planned carefully

That’s it.

Frames create movement.

Keyframes create structure.

Timing creates feeling.

And your drawings bring all your dreams to reality.

You do NOT need thousands of perfect drawings to start.

You just need:

Practice
Patience
Understanding

And truthfully?

You already understand more than you did before reading this.

That’s true progress.

What’s Your Next Step (Coming Thursday):

You now get what are:

FPS
Frames
Keyframes
Animation methods

But there’s one massive question still left:

Next blog: Why do some movements feel heavy… while others feel light?

Click here ->

That is where animation starts feeling alive.

See you until the next relive.

April 30, 2026

The Secret Behind Every Animation Explained In a Simple Words
FRAMEBURST ACADEMY 17

Summary (TL;DR)

You made your first animation. Bravo.

Now let’s understand why it shifted.

You are about to uncover the simple tricks behind every animation:
the main poses, the extremes, the in-betweens, and how speed and spacing make things feel alive.

Once you get this… all starts to make sense.

🎬 Let’s Build Understanding:

(Step by Step)

Right now, you are in the “Just Started” phase in FrameBurst Academy.

You do not need complicated concepts.

You just have to grasp how momentum is built.

Think of animation like telling a story… but with drawings.

🧍 Extremes (Main Poses):

Extremes are the key moments in your animation.

They are the major positions.

E.g:

Think of tossing a ball.
- First: Your hand is back
- Last: Your hand is ahead after throwing
These 2 are your extremes.

🧠 Simple idea:

Extremes = Start and End drawing of your animation

Without these… there is no story.

Even simply wanting to jump, from one corner to another, is a narrative.

🔄 Breakdowns:

(How Movement Flows)

Now… how do you transition from one extreme to another?

That is where breakdowns come in.

They show how the movement occurs.

E.g:

Throwing a ball again:
- Hand goes back (Extreme 1)
- Hand moves forward halfway (Breakdown)
- Hand finishes throw (Extreme 2)
🧠 Simple idea:

Breakdowns => The drawing between start and end

They determine how the motion feels.

🧍 Poses:

(Making Things Clear)

Poses are just how your character looks at a moment.

Good poses make things effortless to comprehend.

E.g:

If someone is shocked:
- Eyes wide
- Body slightly backward
You instantly understand the feeling.

🧠 Simple idea:

Clear poses => Clear storytelling

If your poses are whacked… your animation feels unclear.

🔗 In–Betweens:

(Filling the Gaps)

Now we link everything together.

In-betweens are the drawings that combine your poses.

They make movement smooth.

E.g:

Walking:
- Step 1: Foot up
- Step 2: Foot forward
- Step 3: Foot down
The extra midget steps between these are in-betweens.

🧠Simple idea:

In-betweens => Filling up the gaps

More in-betweens => smoother movement

⏱️ Timing:

(How Fast or Slow)

Timing is about how long something takes.

E.g:
- Fast punch → happens quickly
- Slow wave → takes more time
🧠Simple idea:

Timing => Speed of movement

📏 Spacing:

(Distance Between Movements)

Spacing is about how far things move each step.

Example:

Guess a ball falling:
- At the peak -> moves slowly (small gaps)
- Near the ground -> moves fast (big gaps)
🧠Simple idea:

Spacing => Distance between each motion

🎯 Smoothness:

(Why Some Animations Feel Better)

Smooth animation comes from:
- Good timing
- Good spacing
- Enough drawings
E.g:

Walking:
- Too few steps → looks jumpy
- More steps → looks smooth
🧠 Simple idea:

Smoothness => Timing + Spacing + Enough drawings

😊 Emotions:

(Making It Feel Alive)

Movement alone is insufficient.

Emotion makes animation feel real.

E.g:

Before someone speaks:
1. They pause
2. Maybe look away
3. Then talk
That small motion adds vitality.

💥 Impact, Emphasis & Realism:

Real life is not direct and have imperfections.

People:
- React
- Pause
- Hesitate
- Struggle
E.g:

Someone is taken aback:
1. Body reacts first
2. Then face changes
3. Then they speak
🧠 Simple idea:

Reaction makes animation believable.

💬 A Simple Way to See It All Together:

Consider animation like this:
1. Extremes -> What happens
2. Breakdowns -> How it happens
3. In-betweens -> Smooth it out
4. Emotion -> Why it matters
5. Timing -> How fast
6. Spacing -> How far
That is all.

You are already understanding more than most starters.

🚀 Where You Are Right Now:

You have “Just started”.

That’s strong.

Right now, your focus should be:
- Keep things simple
- Practice small animations like a pendulum
- Understand movement, not perfection
Do not rush ahead.

Establish strong foundation.

⏭️What’s Your Next Step (Coming Thursday):

Next tutorial: What are Frames, Keyframes and frame rate (FPS)?

How Many Drawings

Do You Really Need to Animate 3 seconds, a minute or an hour

Click here -> https://takzicution.com/frames-fps-keyframe-animation

We are going to answer questions like:
- How many drawings do you actually need?
- What is Frames per second {FPS}?
- Why do some animations look smoother than others?
- Do you really need 60 drawings every second?
This is where things start to feel real.

See you until the next relive. 🎬
April 23, 2026
How to Make Your First Animation as a Beginner
FRAMEBURST ACADEMY 16

Summary (TL;DR)
- You do not need experience.
- You do not require expertise.
- You do not need expensive tools.
You just need one simple idea…
and the bravery to start imperfectly.

By the end of this, you can make your first animation today.

🎬 Let’s Remove the Fear First:

I won’t lie to you.

I did not start YouTube animation for quite a while…
Not because I had lack of skills.

But because I kept thinking:
- “What if it looks bad?”
- “It has to look perfect.”
- “What if people hate it?”
- “I will start when I am much better at it.”
I wanted to be a content creator since the age of 18.

Though, that thinking held me back for decade.

Here’s the honorable truth:

Your first animation is supposed to be rough and simple.

Like learning to ride a bicycle…
You do not start smooth.

You wobble. You tumble. You try again.

Same here for story-time animation.

🛠️ What You Need?

(Nothing Expensive)

You may begin with:
- Paper + Pencil
  OR
- A free application like FlipaClip, Krita or OpenToonz
That is it.

No fancy arrangements. No expense.

🎯 Your First Animation: A Bouncing Ball

We’re keeping this straightforward.

A ball (2D or 3D) going up… and coming down.

That’s your first animation.

🧱 Step-by-Step

(You Can Do This Now)

✏️ Step 1: Draw the Starting Point

Draw a circle or sphere at the top-center.

That’s your first drawing.

🧠 Think of it like holding a ball in your palm before letting it go.

📍 Step 2: Draw the Ending Point

Now draw that circle or sphere at the bottom.

That is your concluding drawing.

🧠 Like when the ball hits the ground.

⚖️ Step 3: Add a Middle Point

Now draw the circle or sphere in the center.

Halfway between upper and lower end.

🧠 Like the ball falling through the air.

🔄 Step 4: Add Simple Middle Steps

Add additional drawings between top -> center -> bottom.

Do not dwell on it too much.

Just position the circle or sphere in between.

🧠 Like taking small steps while climbing down the ladder.

🔗 Step 5: Connect Them All

Now add a few more drawings between each step.

This makes the movement smoother.

🧠 Like adding more steps to your stairs to make walking easier.

▶️ The Final Step: Test Your Animation

Flip your pages or click play.

Watch it move.

🧠 Like pressing play on a video you just made.

⚠️ Common Mistakes:

(And Easy Fixes)

❌ Trying to Be Perfect:

Fix: Let it be messy. First animation = practice, not performance.

❌ Adding Too Much Detail:

Fix: Keep it simple. It is just a ball.

❌ Not Testing Early:

Fix: Review your animation after a few drawings. Do not wait till the conclusion.

❌ Doing Everything Step by Step Without Planning:

Fix: Always draw the beginning drawing and concluding drawing first. Then fill in the middle.

❌ Getting Frustrated Quickly:

Fix: Take a short break. Come back fresh. Keep a cheerful mood.

❌ Making Too Few Drawings:

Fix: Add more drawings to make it smoother.

❌ Movement Feels Wrong:

Fix: Slightly adjust positions. Small changes make big difference.

🔁 Improve It:

(Simple Upgrades)
- Adjust spacing = better speed control
- Add more drawings = smoother movement
- Repeat the same animation again = faster improvement
That is how progress happens.

🏁 A Real Win:

completing your first animation…

Is a big achievement.

Most people never even take their first step.

You did.

Do not chase perfection.

Chase completion.

💬 Final Thought

You do not need to be prepared.

You just need to start.

Simple. Coarse. Real.

That’s how every animator begins.

And now…

So did you.

⏭️What’s Your Next Step (Coming Thursday):

Next blog: Understanding frames, inbetweens and breakdowns: The Secret Behind Every Animation.

Click here -> https://takzicution.com/animation-basics-explained

You just made motion…

Now let’s understand what’s happening behind the scene.

This is where animation starts to make sense.

See you until the next summon. 🎬
April 16, 2026
How to Find Your Own Art Style as a Beginner
FRAMEBURST ACADEMY 15

🎮 Summary (TL;DR)

“Where do I find my art style?”

Almost every beginner poses this question.

But here’s the twist:

You don’t find it like a lost teasure…
You slowly develop it.

Let’s make that clear.

🎬 Why Beginners Feel Confused About Art Style?

When observing other animators, you notice one thing:

Their drawings look unique.

You believe:

“I want a look like that.”

So you start researching.

Yet nothing seems like yours.

And that gets you frustrated.

🧠 What Is “Art Style”?

(In Simple Words)

Art style is merely:

The way you draw things repeatedly.

That’s all.

It’s your routines.
- How you draw faces
- How you shape bodies
- How simple or detailed you keep things
It is not something special you obtain.

It is something you repeat.

❌ The Biggest Myth:

Many starters assume:

“I need to find my art style first… then I will start drawing.”

That’s backwards.

You do not discover your style first.

You find it after drawing a lot.

🌱 How Style Actually Develops?

Your style grows graually.

Like this:

✏️ 1. You Draw More:

At the beginning, everything feels random.

That’s normal.

You are just gaining knowledge.

🔄 2. You Repeat Certain Choices:

Without noticing, you start engaging in activities again:
- You simplify the shapes
- You prefer certain looks
- You draw eyes a certain way
These small choices repeat.

That’s your style forming.

🎨 3. You Try Different Ideas:

You might:
- Try different shapes
- Experiment with looks
- Change how you draw hair
Some things feel right.

Some do not.

That is part of the procedure.

🧩 4. It Begins Feeling “Yours”:

After some time, you obeserve:

“This looks like something I made.”

That is your own style.

Not perfect. Not conclusive.

But absolutely yours.

📋 Is It Okay to Copy?

Affirmative.

At the unitial stage, replicating is normal.

You see something appeals to you…

You try to sketch it out.

That’s how you learn.

But keep in mind:
1. Do not stay stuck imitating endlessly
2. Try to understand what you like
3. Slowly change things your way
4. And try making out of memory
Copy -> Understand -> Alter.

That is how growth happens.

🎯 There Is No “Perfect” Style:

This is extremely important.

No style is the best.

No correct way.

No “correct look.”

Some styles are:
- Simple
- Funny
- Realistic
- Detailed
- Adorable
All of them are legit.

Your job is not to achieve perfection.

Your role is to be consistent with yourself.

🌟 A Final Thought:

You already have the start of your own style.

Still at this moment.

Every time you sketch…

You make small decisions.

Those choices matter.

And as time goes by…

They become your identity.

So do not stress about discovering it.

Simply keep drawing.

It will locate you instead.

⏭️What’s Your Next Step (Coming Thursday):

Next blog: How to create your very first simple animation?

👉 click here -> https://takzicution.com/make-your-first-animation

Now that you can illustrate characters for your content…

It is time to bring your dreams to reality.

See you until the next summon. 🎬
April 9, 2026
How to Create Your Own Character Using Simple Shapes
FRAMEBURST ACADEMY 14

🎮 Summary (TL;DR)

Making your own character seems challenging…

As if you need talent.

Like you require experience.

But what if it is only this:

Simple shapes… put together.

Let’s simplify it.

🎬 Why Creating a Character Feels Hard?

(But Is Not)

When novices consider about drawing a character, they envision:
- Flawless faces
- Detailed bodies
- Neat, polished drawings
That feels frightening.

Overwhelming thoughts.

However, here’s the truth:

No one starts with the final character.

Everyone begins with basic shapes.

Just like constructing a toy with Lego pieces.

🧱 The Idea: Build, Do Not Draw

Rather than thinking:

“I need to draw a person”

Think:

“I will build a person using forms.”

That one alteration makes everything simpler.

Because shapes are simple.

And simple things are easy to manage.

🔷 Building a Character with Flat Shapes:

Let’s picture your character using 2D shapes.

😊 Head:
- Use a circle -> for a soft, friendly look
- Or an oval → for a natural expression
- Or a square -> for a strong, serious face shape
🧍 Body:
- Use a rectangle -> like a shirt
- Or a triangle -> wide at the top or bottom
💪 Arms & Legs:
- Use simple lines
- Or slender rectangles
Think of them like sticks or simple rods.

✨ Extra Details:
- Hands can be tiny circles
- Feet can be ovals
- Hair can be triangles or soft curves
Now step back.

You did not draw a “human figure.”

You construct one.

🧊 Building a Character with 3D Shapes:

Now let’s imagine an alternative perspective.

Think your character is not flat…

But like a toy you can grab.

And modelling it in a 3D software will be troubling.

😊 Head:
- Use a sphere (like a ball)
🧍 Body:
- Use a cube or cuboid (like a box)
💪 Arms & Legs:
- Use cylinders (like pipes or sticks)
👟 Details:
- Feet can be small cuboids
- Hats can be cones or semi-circle
- Shoulders can be round like small spheres
Now your character feels more “authentic.”

Not complex.

Simply… more solid.

🧠 The Big Idea:

Here is the key point:

Every character is just shapes combined together.

That’s it.

Not magic.
Not talent.

Only simple shapes:
- Circles
- Boxes
- Lines
Assembled in different ways.

🧩 Mix & Match:

You don’t have to adhere one style.

You can mix:
- A sphere head with a cubic body
- Cylinder arms with line legs
- Triangle shapes for style
Play with it.

Experimentation.

There is no “wrong” method here.

🌱 A Final Thought:

You do not need to produce something perfect.

You just need to begin building.

One form at a time.

And slowly…

Those shapes turn into something real.

Something originally yours.

Anyone can accomplish this.

Including you, mate.

⏭️What’s Your Next Step (Coming Thursday):

Next blog: How to find your own art style

👉 click here: https://takzicution.com/find-your-art-style/

You can now able to create characters…

But how do you make them feel like you?

That is what we explore next.

See you until the next summon. 🎬
April 2, 2026
Why Beginner Animators Feel Burnout So Fast
FRAMEBURST ACADEMY 12

🎮 Summary (TL;DR)

You started animation with a sense of enthusiasm…

Then suddenly it feels weighty.
Slow. Exhausting. No longer fun.

Why does that occur?

And more importantly…
how do you fix it?

🎬 What Is Burnout?

(In the Simplest Way)

Burnout occurs when:

You still want to do something…
but you feel too tired to accomplish it.

It’s like your brain says:
“Let’s animate!”

But your body says:
“I do not feel like doing anything…”

This typically happens when:
- You push too strongly
- You anticipate too much too fast
- You forget to appreciate the adventure
You do not hate animation.

You are simply… too worn out.

😓 Why Beginners Feel Burnout So Fast?

Upon starting animation, you feel eager.

You believe:

“I will improve rapidly.”
“I’ll make something incredible pretty soon.”

Thus, you:
- Work for excessive long
- Try to learn too much at once
- Compare yourself against others
And slowly…

That excitement transforms into tension.

🌱 How to Enjoy Making Cartoons Without Stress?

Let’s keep this very simple.

🕒 1. Do Less, Not More:

You do not need extended hours.

Like I said in consistency lesson,

Even 30 – 40 minutes is sufficient.

Short time + regular effort = progress

🎯 2. Set Tiny Goals:

Instead of:

“I will complete a whole animation”

Try:

“I will draw one motion at a moment”

Small wins bring satisfaction.

And they keep you going.

😊 3. Allow Yourself to Be Bad:

Your first animations will not look amazing.

That’s normal.

You are learning.

Not executing.

🔄 4. Take Breaks Without Guilt:

Recovery is not failure.

Rest helps you come back stronger.

If you feel tired… take a break; play a game.

Then return.

🧠 5. Focus on Fun, Not Results:

Instead of asking:

“Is this good?”

Ask:

“Did I enjoy making this?”

That one question changes everything.

🐢 Animation Is Not a Race:

This holds great importance.

You are not in competition with anyone.

Some people move fast.
Some people progress slow.

Both are acceptable.

What matters is:

You continue onwards.

Even if it is slow.

Even if it is messy.

And even if it’s not perfect.

💬 A Final Thought:

You do not need to hurry.

You don’t need to prove anything.

You don’t have to be flawless.

You only need to persist with it.

Animation regains its fun

when you stop taking it as stress
and start treating it like an adventure.

Take it step by step.

You are doing better than you realize.

⏭️ What’s Your Next Step (Coming Thursday):

Next blog: What is construction in animation and how to make anything out of basic shapes?

👉 Click here -> https://takzicution.com/draw-anything-using-basic-shapes/

We’re going to start building things in a very simple way.

See you until the next summon. 🎬
March 19, 2026
Why Your Animation Looks Stiff & How to Fix It
FRAMEBURST ACADEMY 10

Summary (TL;DR)

Your animation might look… motionless.

Not broken. Not incorrect. Just… not living.

And the reason isn’t your instruments.

It’s something a lot easier…

something you’re probably not paying attention to yet.

🎬 How to Observe the World to Improve Your Animation:

(& Why Your Animation Looks Stiff)

Let’s speak honestly.

Most starter animations feel:
- Stiff
- Robotic
- A bit lacking energy
And it is not because you are bad at it.

It is due to the absence of something very basic.

🤔 Why Beginner Animation Looks Stiff?

Here are the most common explanations.

👀 You Are Not Observing Real Movement:

Many novices try to animate from their imagination.

They suppose:

“I know how people walk.”

Yet, do you truly observe it?
- How the arms move
- How the head gently bounces
- How the body shifts weight distribution
The majority of people do not focus these aspects carefully.

So when they animate…

The motion seems unusual.

You can’t tell what’s wrong,

But your beautiful mind can.

🧠 You Are Guessing Instead of Seeing:

When you do not observe, you assume.

You draw what you think happens…

Not what truly happens.

That’s why movements look unnatural.

Because they’re based on assumptions, not reality.

🧩 You Miss Small Movements:

Real life is full of tiny gestures:
- Blinking
- Breathing
- Shifting posture
- Small hand movements
These details are minor…

But they make a huge impact things to give a sense of vitality.

Without them, everything feels frozen.

⏩ You Rush the Process:

At times, rookies only wish to complete task instantaneously.

So they overlook observing.

They avoid thinking.

They just “get it done.”

The outcome?

Movement without realism.

🌍 How Observation Fixes Everything:

Here’s the positive update.

You do not need advanced tools.

You require better observation.

🚶 Watch How People Move:

Next occasion you observe someone walking…

Do not just see.

Watch closely with an eye of an animator:
- Does the body stay straight?
- Do both arms move the same way?
- Is the movement smooth or slightly uneven?
You will begin noticing things you never saw before.

✋ Notice Small Details:

Pay attention to simple movements:
- How people take a seat
- How they react when surprised or shocked
- How they use their hands during conversation
These small elements are what gives animation a sense of realism.

😊 Observe Emotions:

Gaze at people when they talk:
- Do they pause before reacting?
- Do they move more when excited?
- How does their expression change?
Emotion extends beyond just words.

It’s motion.

⏱️ Pay Attention to Timing:

Not everything progress at the same speed.
- Some are slow
- Some have pauses
- Some actions are fast
E.g:

Before someone speaks, they often take a brief pause.

That break matters.

It gives a sense of normalcy.

🎯 What Animation Really Is?

Animation is not about making random movement.

It concerns:

Recreating real life… in a uncomplicated manner.

You’re not inventing movement.

You are observing it…
then making it easier to understand.

👁️ Observation Is a Skill:

You do not have to be perfect.

You don’t need to observe everything at once.

Just start small.

The goal is straightforward:

Train your eyes.

Start noticing things other people overlook.

Over time…

You will naturally incorporate those details into your project.

And that’s when it starts to feel alive.

💬 A Final Thought:

If your animation appears stiff…

Do not blame your ability.

Pose a question to yourself:

“Am I really observing?”

Because the distinction between stiff and organic…

Is often only recognition.

⏭️ What’s Your Next Step (Coming Thursday):

Next blog: How to use reference in animation properly and is it wrong to use it?

Click here -> https://takzicution.com/is-animation-reference-cheating/

You have achieved how to watch closely…

But what if you need help while animating?

Is it okay to look at others?

Is it wrong?

We will answer that next time.

See you until the next summon. 🎬
March 5, 2026
What Is Story-Time Animation & Why Beginners Love It
FRAMEBURST ACADEMY 4

🎮 Summary (TL;DR)

You have probably watched cartoons and wondered…

“That looks complicated.”

What if it is not as complex as it seems?

What if animation is just a simple idea… repeated in a smart way?

Let’s break it down.

🎬 What Is Making Cartoons (Animation)?

Let’s set aside big words for a second.

Animation is simply this:

You draw something…

Then you make slight alteration…

Then you change it again…

And when you see all those drawings swiftly,

it looks like the drawing is moving.

That’s all.

That’s the core concept.

Imagine drawing a stick figure:
- 1st drawing: standing still
- 2nd drawing: one arm raised a bit
- 3rd drawing: arm slightly higher
Now play those sketches one after another…

It looks like the stick figure is raising its hand.

That is animation.

Not magic.

Not only something “experts” can do.

Just small adjustments… played in order.

🗣️ What Is Story-Time Animation?

Now let’s add some excitement to this.

Story-time animation is when:

You tell a tale…

And use simple illustrations to show it.

That’s it.

It’s like being with a buddy and saying:

“Let me tell you what happened to me recently…”

But rather than only talking,

you draw pictures to go along with your story.

E.g:
- An awkward conversation
- A humorous incident at school
- An embarrassing or relatable moment
You don’t require detailed characters.

My character is simply a huge ovoid (oval) with bean-shape inside it.

Sometimes it is basically:
- Simple faces
- Basic movements
- Clean, easy graphics
The focus is not on flawless drawing.

The focus is on the story.

Talk Bluey the show for instance, the animation and character design are simple.

The relatability and the story is what makes it so popular.

📺 Why Did Story-Time Animation Become So Popular?

Around 2016, something interesting took place.

Creators like Domics and Swoozie started telling personal stories using basic animations.

People adored it.

Why?

Because its authentic.

It was not about perfect craftmanship.

It was about:
- Sincere storytelling
- Moments that resonate
- Clear visuals that anyone could comprehend
- Teaching something that no one dared to talk about
Audience didn’t just view…

They connected.

And that, my friend, is what expand this style so quickly.

✏️ Why Story-Time Animation Is Easier?

(Compared to Other Styles)

Let’s be honest.

Some types of animation are quite demanding:
- Long episodes
- Complicated scenes
- Too many characters
That require lots of time and experience.

Story-time animation is unique and special.

It is easier because:
- The drawings are simple
- Scenes are short and focused
- The narration carries most of the importance
- You typically concentrate on 1 main character (your persona)
You do not need hundreds of detailed drawings.

You just need enough to support what you’re telling.

This is the reason many newcomers start here.

🤔 Is Story-Time Animation a Good Starting Point?

I just said giving sufficient evidence, and here’s mine.
Short answer?

Yes… but with understanding.

Story-time animation serves as an excellent starting point as:
- It is simple to begin
- No expensive tools are needed
- You can begin with rough sketches
- You learn storytelling skills as you progress
But here’s the truth:

Simple does not mean effortless.

You still need to:
- Practice
- Improve slowly
- Maintain consistency
And above all…

You need to plan

You require stories to share.

Because in this style, your story holds greater importance than your pictures.
💬 A Final Thought:

Animation is not something far away or unattainable.

It starts small.

One drawing.

Then another.

Then another.

And story-time animation?

It’s only you… telling your story through a cartoon.

Nothing fancy.

Nothing impossible.

Simply your dreams… brought to reality.

What’s Your Next Step (Coming Thursday):

Next blog: How to come up with a proper channel name

Click here -> https://takzicution.com/choose-perfect-channel-name/

Before you begin creating…

You need something important.

A name.

Not just any name…
The suitable one for you.

We will figure that out next.

See you until the next summon. 🎬
January 22, 2026
Learn Animation the Smart Way: Inside FrameBurst Academy’s Game-Like System
FRAMEBURST ACADEMY 2

🎮 Summary (TL;DR)

Most people try to learn animation like wandering through a maze with no map.

FrameBurst Academy gives you that blueprint.

Though, it is not just steps…
It’s levels.

And once you see how this system operates, you won’t perceive learning the same way.

🎬 The Leveling System of FrameBurst Academy:

Alright, now we delve deeper.

In the previous post, you uncovered what FrameBurst Academy is.

Now let’s discuss how it actually functions.

For this is not random learning.

This is systematized like a game.

Not for amusement alone…
But because games do one thing really well:

They make progress visible.

🧭 Why a Leveling System?

When people try to master animation or YouTube content creation, they usually face one great difficulty:

They do not know where they are.
1. Am I still a beginner?
2. Am I improving?
3. What should I learn next?
There’s no definitive answer.

Thus they either rush forward…
Or become stuck repeating the same basics.

The leveling system addresses that situation.

It gives you:
- A clear starting point
- A clear path forward
- A sense of progress
You’re not guessing anymore.

You are progressing.

🎮 How the System Works?

FrameBurst Academy is divided into levels.

Each tier represents a stage in your growth.

Within each stage:
- There are 50 tutorials
- Each tutorial is one post
- A new tutorial comes out every Wednesday
That means you are not overwhelmed.

You take in information one step at a time.

Consistent. Steady. Clear.

And as you finish tutorials…

You advance to the next floor.

Similar to leveling up in a video game.

🏆 Progress Feels Real Here:

Several educational systems fail to show progress effectively.

Here, you’ll sense it.
- You complete a level -> achievement
- You finish a series of tutorials -> milestone
- You step ahead -> new obstacles unlocked
You won’t just hope you’re improving…

You’ll witness it happening.

And that matters more than motivation.

Because motivation fluctuates over time.

Progress keeps you moving.

👥 Built for Real People:

This system was created for people who do not have perfect conditions.
- You lack expensive tools
- You do not have paid courses
- You do not have a teacher guiding you daily
Still, you do have time, curiosity, and the willingness to experiment.

Whether you are:
- An absolute beginner
- A student exploring imagination
- Someone unsure of where to start
- Or just a person returning after quitting
This system connects with you where you are.

😈 The Demon Level:

(The Real Test)

Now let’s discuss something most courses avoid.

Defeat.

There’s a level in this academy called the ‘Demon Level’.

And no… It’s not about talent.

It’s about reality.

This is where we encounter things such as:
- “I lost motivation completely.”
- “I do not think I am good enough.”
- “I feel stuck, and I am unsure why.”
- “I worked so hard, and no one watched my video.”
These are not rare problems.

They are assured issues.

The Demon Level is where we deconstruct them.

Not with motivational speeches…

But with genuine solutions:
- How to fix ongoing mistakes
- What to do when progress feels unnoticed
- How to keep going when nothing feels rewarding
Because becoming a creator isn’t just about skill and passion.

It’s about enduring the experience.

🧱 Why This System Works?

Instead of scattered tutorials…

You get organization.

Instead of uncertainty…

You get guidance.

Rather than rushing…

You achieve consistent growth.

This system is not intended to make you fast.

It is designed to strengthen you.

Because in both animation and YouTube management…

Speed doesn’t prevail.

Consistency does.

💬 A Final Thought
- You do not need perfect drawings.
- You do not need expensive software.
- You do not have to be skilled to commence.
You only need a proper, logical system.

That’s what this is.

And now you know how it works.

⏭️ What’s Your Next Step (Coming Thursday):

Next blog: Is animation right for you

Click here -> https://takzicution.com/is-animation-for-you/

This is where matters get personal.

Not everyone is destined to pursue this path…

And that’s okay.

But how do you tell if this is your adventure?

We will figure that out next.

See you until the next summon. 🎬
January 8, 2026

Tag: FrameBurst Academy

Why Some Animated Moments Feel Emotionally Heavy

FRAMEBURST ACADEMY 19

Summary (TL;DR)

Why Some Animated Moments Feel Heavy… While Others Feel Empty?

The Secret Behind Emotional Weight in Story-Time Animation:

Real-Life Example:

Emotional Weight Comes From Meaning:

1. Anticipation: Preparing the Audience Emotionally:

Real-Life Example:

Emotional Example:

2. Holds: The Power of Staying Still:

Example:

Real-Life Comparison:

3. Pacing: The Speed of Emotion:

Everyday Example:

4. Contrast: Why Calm Makes Big Moments Bigger:

Example:

Music Comparison:

5. Visual Focus: Guiding the Viewer’s Eyes:

Example:

Facial Acting: Tiny Changes Matter:

Real-Life Example:

Breathing & Settling:

Example:

Why Realistic Movement Alone Is NOT Enough?

Story-Time Animation Uses Simplicity Smartly:

Example:

Silence Is Also Animation:

Example:

Emotional Animation Is About Control:

Everyday Life Is Full of Emotional Animation:

Think of Emotion Like Charging an Attack:

Example:

Why Beginners Miss This:

Simple Practice You Can Try Today:

The Final Thoughts:

What’s Your Next Step (Coming Thursday):

What Are Frames, FPS & Keyframes in Animation

FRAMEBURST ACADEMY 18

Summary (TL;DR)

What are Frames, Keyframes, Blank Keyframes & Frame Rate (FPS)?

How Many Drawings Do You Really Need to Animate 3 Seconds, 1 Minute or 1 Hour?

What is a Frame?

Real-Life Example:

What is Frame Rate (FPS)?

Simple Example:

Real-Life Comparison:

Few Frames:

Medium Frames:

Many Frames:

Common FPS Used in Animation:

12 FPS:

24 FPS:

25 FPS:

30 FPS:

60 FPS:

Do You Really Need New Drawings for Every Frame?

Animating on 1s, 2s & 3s:

Animating on 1s:

Animating on 2s:

Animating on 3s:

Simple Pizza Analogy:

On 1s:es

On 2s:

On 3s:

How Many Drawings Do You Need?

5 Seconds of Animation

At 24 FPS on 1s:

At 24 FPS on 2s:

At 24 FPS on 3s:

1 Minute of Animation

At 24FPS on 1s:

At 24FPS on 2s:

At 24FPS on 3s:

1 Hour of Animation:

At 24FPS on 1s:

At 24FPS on 2s:

At 24FPS on 3s

Important Beginner Truth: